| This is a reference file that is
meant to answer those questions most frequently asked about the US television program,
Quantum Leap. It also attempts to catalog the information viewers have been able to glean
from individual stories and other, official and non-official sources. Permission is
granted to distribute this file UNMODIFIED to other networks and BBSs. Rights to
modifications to this file is reserved by the updater(s). Note: you may freely copy and distribute this guide for personal use provided
that it be distributed in its entirety, with all original author and copyright information
intact. Any sales of this document or use of it in a for-profit project are expressly
forbidden, without the specific consent of the authors.
Spoiler FAQL
Another FAQL exists, created specifically to deal with those
questions that involve detailed spoilers of various episodes. Questions that are answered
here in the regular FAQL and which are elaborated upon in the other will include a note to
check the SP for further details. The SP also contains additional questions.
Visit the Spoiler Page!
Credit: I have attempted to give proper credit to those
contributing to text in this FAQL. Initially, I did not want to credit my own text, but
then discovered there was no other feasible way to distinguish the new text from the
original and to give proper credit to past FAQL keepers. All uncredited text belongs to
these past keepers. Minor revisions to original text also remain uncredited for
practicality's sake.
Credits are given in [square brackets] following individual
paragraphs, since often there was more than one contributor to a question.
Also listed here are questions from email conversations and
messageboards on Al's Place. You can find this page here for
even more updated info!
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Who controls the leaps?
- When Sam looks at himself, what does he see?
- Can Sam die during a leap?
- Why could Sam see when he
"replaced" a blind man? Would he be able to hear as a deaf person? In other
words, is it Sam's mind that's leaping, or his body?
- What does the leapee remember about his
experience after he returns?
- There is no number 6.
- Can anyone see Sam as Sam, rather than as the
leapee? Can anyone other than Sam see Al?
- Why can't Sam leap back beyond his own
lifetime? (or, why can't he leap into the far past)?
- What would happen if Sam failed to do what he
was there to do?
- How is it that when Sam leaps into a leapee
who is shorter/smaller than he is, people around him don't notice a difference in size?
- Has Sam ever leapt outside the United
States? Into foreign nationals?
- Why couldn't Sam leap into the future
(post-90's)?
- Who are the "evil leapers"?
- How much time passes between leaps?
- Does time pass differently at PQL than it
does for Sam?
Meanwhile, Back at the
Project:
- When is Al's "present"? Or rather,
in what year did Sam start leaping?
- When Al looks at Sam, what does he see?
- Who is in the "Waiting Room"? What
does it look like?
- What is the Imaging Chamber?
- Can anyone else at the project go into the
Imaging Chamber and see Sam?
- How does Ziggy know so much about people's
lives in the past?
- Who is this "Gooshie" that Al
keeps talking to?
- If Al is a hologram, why does he cast
shadows?
- Since Al is a hologram, we always see the
neat effects of cars driving right through him, etc, so how can he sit in the car and
travel within it too?
- Why is Ziggy sometimes referred to as
"he" and at other times "she"?
- How is the Head Programmer's name spelled?
What about Donna's last name?
And In Our
Own Universe:
- Who is this Sally Smith person and why does
she know so much about the behind the scenes goings-on of Belisarius Productions? Why is
she called "Lucky Bitch"?
- What about other inconsistencies that I've
noticed in QL?
- What are "Leapheads"?
- So what's the story with that episode titled
"The B**giem*n" and why do Leapers refuse to mention it by name?
- I remember watching a time travel show in
the 60's, Time Tunnel. Anyone else remember it?
- Isn't Quantum Leap just like that other time
travel show, Voyagers?
- Is Scott Bakula really as nice as he seems
to be?
- Does Scott Bakula do his own singing on the
show?
- What are these abbreviations you people keep
using?
- What's the significance of the word
"height"?
- What members of the QL staff and crew have
appeared in the show?
- Wasn't the guy who played Al the bartender
in the last episode the same actor who played Weird Ernie in the first episode?
- Are there Quantum Leap conventions?
- Who do I write to get a Quantum Leap movie?
And how can I write to the cast and crew now?
- How long did QL originally run?
Nobody knows. Sam and Al know that it's not Ziggy or anyone
at Project Quantum Leap. Al told Sam in the pilot that Sam's leaps were out of the
project's control, so Sam and Al hypothetize that it's Him who is controlling things.
In the series finale, we get an ambiguous glimpse of the
supposed controller, but the exact nature of this controller (and in fact of this entire
episode) is still under heavy debate. (see SP#2) [Robin C. Kwong]
He sees himself, Sam Beckett - unless he looks into a mirror.
Then he sees the leapee.
According to Don Bellisario, yes he can.
Sam is physically leaping through time, his mass being
exchanged with that of the leapee. Sam, not sharing the handicap, will not exhibit it.
Sam's entire body and soul trades places with the leapee, although the physical aura stays
around.
To quote The Source Himself (Don Bellisario):
"...when Sam leaps in and bounces somebody out, I like
to think of it this way: ... if that person was hit by a car and they broke their leg and
hit the street and then Sam leaped in, Sam would not have a broken leg. But if Sam leaped
in and was crossing the street and was hit by the car, then Sam would have the broken
leg."
In other words:
He does not share handicaps or injuries suffered by the
leapee before his leap in, but will sustain injuries suffered while he is there.
The fact that it is Sam's entire body that is leaping is
supported by a great number of episodes: "The Wrong Stuff," "Nowhere to
Run," "Blind Faith," "Runaway," "Trilogy part 3,"
"Pool Hall Blues," "The Color of Truth" (Jesse Tyler was revealed to
suffer from rheumatism in "Shock Theater," which Sam gave no indication of being
affected by in this ep), and probably any episode in which he is a woman and does things
beyond her normal physical strength. (Yes, this even includes "8 1/2 Months"
(see SP#8).) This is also supported by the fact that Sam sees himself unless he looks in a
mirror. [Kwong]
Also, it is stated that Sam and Al are linked via their
mesons and neurons, which are physical entities. If Sam does not leap physically, then
this link would be lost. [Kwong]
The fact that certain individuals--including himself--can see
Sam indicates that there is something behind the aura for them to see. [Kwong]
The explanation for why Sam seems to be unaffected by the
size difference between him and the leapee is theorized in question 14. There is *no*
clear evidence given in any of the episodes to support the theory that Sam's mind is
leaping. [Kwong]
See also SP#7.
This is also not known. The only time we've seen this occur
was in the episode "Double Identity," where Sam leaped to replace another body
and the original host returned. He APPEARED to have no memory of anything after he was
leaped into. It has been stated that the leapee, while in Sam's body back in the Waiting
Room, has a 'swiss-cheesed' memory, much like Sam received upon his initial leap. Because
of the ultramodern hospital-like atmosphere of the waiting room, many of the leapees
believe they have been abducted by aliens. Deborah Pratt says that as the leapees return,
they pick up some of Sam's memories of what happened, but they believe the events happened
to them.
It would probably also wreak havoc for the top-secret nature
of PQL of all the leapees remembered enough facts for them to compare notes. Not to
mention the possible serious repercussions of "The Leap Home part 1" and "A
Leap for Lisa." [Kwong]
Don Bellisario believes a lot of these people ended up
writing books about UFOs. :-) [Finifter]
[This is a net.Leapers "in joke" that started on
Monty Python's Flying Circus.]
Small children, the "mentally absent", animals and
people near death can see him [And pretty blondes with very low IQs, if Dean Stockwell got
his way :-)]. Al has explained that children and animals see things as they really are
because they exist in a natural alpha state. Also, if a person's brainwaves were
sufficiently in tune with Sam's, that person would be able to see and hear Al too.
This is all part of Sam Beckett's String Theory. A person's
lifetime is like a string - one end of the string is one's birth, the other end, one's
death. Tie the ends together and ball up the string, and all the days of one's life touch
all the other days of one's life. If one can loose one's self from the string, one can
Quantum Leap from one day to the any other. On one occasion (so far), Sam was able to leap
back to a time before the date of his birth due to an accident that occurred during a leap
out in the middle of a thunderstorm. Al and Sam leaped together and wound up trading
places, Al in the past, Sam in the future. This "simo-leap" caused an exchange
of subatomic matter between Al and Sam allowing Sam to leap back into Al in the year 1945.
It isn't known at this time if this exchange of matter will be permanent (therefore
allowing Sam to leap even further back) or if it was cleared up when Sam leaped back.
As for those cases where Sam leaps before his own birth
("Play It Again, Seymour," "The Americanization of Machiko"), it is
possible that Sam's lifetime is not defined by his birth but by his conception, since
these dates are within 9 months of his birth. However, the DITTC seems to apply most
appropriately here. [Kwong]
The "within your own lifetime" principle is also
broken in "Leap Between the States," where it is theorized that the genetic
similarity between Sam and the leapee enables him to leap very far before his own birth.
[Kwong]
Again, nobody knows. One theory that we have was that he
would be trapped in the past forever, replacing the host. This, however, is doubtful.
Another theory that we have had was that he would leap into another's life to attempt
again to fix "that which has gone wrong".
Things seem to change a little at the end of the fourth
season when Sam states that success is not required for a leap-out, which seems to violate
the precedent set by previous episodes, notably "Genesis." At any rate, these
statements only reflect the fact that PQL can merely *theorize* on the leaping process. It
is possible that this question will not be answered satisfactorily simply because GTF will
not leap Sam into situations which he cannot handle. (see SP#5) [Kwong]
I belive it is a question of topology. I'm not very good at
it, but consider the following argument. The QL maps everything from a different time into
a frame of reference relative to Sam. (And vice versa for the host.) Sam doesn't see what
really happens, but rather what happens relative to his host. [Doug van der Veen]
It's all a matter of relativity. Consider a spaceship 10
meters long. Send it off at 99.4% of the speed of light and it will seem to be only 1
meter long to anyone still on earth, while still seeming like 10 to those on board.
Gravity can do the same sort of thing; put an object deep into a gravity well and it will
seem shorter. The point is the ship is in a different 'reference frame' than the earth,
and the object in the well is in a different frame then the observer floating outside it,
and things like length (also duration) are not the same across reference frames. [Larne
Pekowsky]
So here's the theory: when Sam leaps his whole body leaps
(explaining things like "Blind Faith"), but it is mapped into a different
reference frame. If you look through a warped piece of glass, things seem to be a
different size and shape. The same thing happens with a warped region of space (cf.
"Gravitational Lenses.") When Sam leaps the space containing him is warped in
such a way that not just length, but all physical properties are altered. And, of course,
the only person in Sam's reference frame is Sam, so when he looks at himself he sees what
he has always seen, but when he looks in a mirror the photons have passed between frames,
and so he sees the leapee. [Pekowsky]
To answer the original question, when Sam, 6ft, has leaped
into someone 5ft7 and is talking to someone, they look at the leapee's eyes, he sees them
looking at his eyes, and likewise he looks down, but the person he's talking to sees the
leapee looking straight. Which is really right? Neither, or both! It's the same as asking
'how long is the spaceship really.' The answer is completely dependent on what frame
you're in because certain physical properties have no absolute existence. [Pekowsky]
As for how this ties into superstrings - current thought is
that strings don't just define particles, but also in some sense define space and time
themselves (ref: "Superstrings: A Theory of Everything?" edited by PCW Davies).
When Sam leaps he takes the strings comprising his body and 'soul,' into a region of space
made up of the strings of the person he's replacing. [Pekowsky]
Sam has leapt outside the United States a total of 7 times:
[Finifter]
Sam's leaping into post-'90s time would seem to fit within
the definition of "his own lifetime," since one's birth as well as death would
constitute one's entire lifetime. This was stated as much in "Genesis"
("One end of this string represents your birth; the other end, your death. You tie
the ends together, and your life is a loop. Ball the loop...and the days of your life
touch each other out of sequence. Therefore, leaping from one point in the string to
another--" "Would move you back and forth within your own lifetime.").
[Kwong]
With this in mind, then, "future" leaps would seem
to be possible. However, since now the m.o. of the Project has changed slightly due to the
interference of GTFWhoever, it just might not be practical. That is, Sam leaps in order to
right some wrong, often using his knowledge of the future to solve the problem -- or at
the very least, the fact that he's from the future enables him to recognize the fact that
there *exists* a problem at all (preventing something from happening that the original
host didn't see coming up the first time around). In a "future" leap, Ziggy
would be useless in terms of obtaining data, Al would be reduced to being only able to
offer moral support or an extra pair of eyes, and Sam would be just as clueless about the
situation as the original leapee was (and probably even more so). The sheer impracticality
of these conditions would then cut down quite a bit the probability of a
"future" leap. [Kwong]
Then again, if Sam does do a "future" leap, would
that give away the fact that he's not going to die in any other leap before the Project's
"real time" reaches that date? [Kwong]
We first see Alia and Zoey in the fifth-season episode
"Deliver Us From Evil" and later in "Return" and "Revenge."
Apparently they have a means of leaping which contains notable parallels to PQL--including
a holographic chamber, handlink, holding area, and a controlling computer named
Lothos--and in fact seem to act as something of a counterpart. Beyond the fact that they
clearly do not have Sam's good intentions where leaps are concerned, not much more is
known about them. (See also SP#2.) [Kwong]
There's been a lot of discussion on the net from time to time
regarding this topic, and it is some people's opinion that PEQL (Project Evil Quantum
Leap) is run by Satan himself. [Finifter]
Time between the leaps is instantaneous for Sam. For those
back at PQL, the gap seems to vary. We've heard mention of gaps as long as six days, and
were even once treated to the sight of an instantaneous leap in from the point-of-view of
the Waiting Room. It would appear that the lengths of the between-leap gaps for the PQL
staff are random. [Kwong]
We've never seen an indication that it does. At most, there
is a time difference resulting from, say, Sam leaping into Smallville at 9am while back at
the Project it's 11:30pm...the kind of difference one would get when trying to place a
long-distance call to someone in another time zone. There is no indication that an hour's
length for Sam is not the same as an hour's length for the PQL staff. [Kwong]
To state it more specifically, once Sam leaps in and PQL
locates him, his "clock" and the Project's "clock" become locked in
synch. As in the Smallville example above, if Al steps into the Chamber at 11:45pm (PQL
time), he will only be able to contact Sam at 9:15am (Smallville time). Note that the
Chamber becomes useless unless there is a leaper to focus on. [Kwong]
Through various little hints and clues, the date of Sam's
first leap has been determined to be 1995 (seven years after our present, since Quantum
Leap premiered in the spring of 1989). This date was confirmed in the fifth season
episode, "Killin' Time." Al's "present" tended to jump around a bit
during the course of the series. Through arithmetic or direct statements, it was 1997 in
the third season finale, then 1999 for the fourth season opener. Then in the fifth season
opener, the date was given as a few months *before* the fourth season opener, with
references to events from the fourth season. [Finifter]
From direct statements in one episode, we know the building
of the Project was begun in 1989. [Kwong]
Al sees the leapee, initially. In the episode entitled
"What Price, Gloria", Al was out of control at seeing Sam as the gorgeous
secretary. Al probably recognizes Sam because they are linked through their brainwave
transmissions, which is what is used by the project to locate Sam in time.
This then appears to change through the seasons. Later
episodes begin to hint that Al sees Sam as Sam. By the fifth season, this is stated
explicitly to be the case. A possible theory is that, after the whole mess in "What
Price Gloria," Al had Gooshie re-configure the IC to show him Sam's image only.
[Kwong]
The leapee. To everyone at the Project (with the possible
exception of Al (see #2), the leapee looks like Sam. The waiting room has been described
by Don Bellisario as being a sterile, hospital-like room where the leapee is examined by
the Project's medical staff. We've seen it a few times and it's big and blue, and located
at the end of an isolated ocrridor. Once we got to see (and HEAR) the leapee when she
entered the imaging chamber with Al, and she looked to us like the image Sam saw in the
mirror. This is probably due to the same mechanism that allows us to see Sam as Sam
[Bellisario's rules :)].
The leapee is occupying Sam's aura, not his body (see #8).
The audience sees the leapee in the WR. [Kwong]
This is the only place where Al can go to talk to Sam. Its
construction allows a holographic image of Al to be generated for transmission into Sam's
optic and otic neurons in the past, and for Sam and his surrounding images to be projected
onto Al's neurons. Speculation (and a quote from Don) has it that this is a very large and
cavernous room judging from the amount of walking Al can do without bumping into walls and
the sound of the door as it slides open and closed. We've seen it once, and it is large
and blue, similar to the Waiting Room. [Finifter] Since Al is a hologram, the fact that he
seems to be able to walk up and down stairs in several episodes is probably a script
glitch. [Kwong]
Only when Al is touching an object will it be visible to Sam
(and us). In more than one episode, Al brought an object into the Imaging Chamber for Sam
to see (this is beyond Al's clothing, cigar and handlink). Skin to skin contact must be
needed for another person to be seen in the Imaging Chamber. Dr. Beeks, by holding Al's
hand was seen by Sam [and us :)]. In one other episode (Killin' Time), a quick
jury-rigging job by Ziggy enabled Gooshie (see question 19) to contact Sam via the
hologram/brain-wave process, but the image broke up a lot. (see SP#4, SP#13)
Ziggy is hooked up to every major database of the late '90s.
It's amazing, when you think about it, just how much is REALLY known about you that is
stored on computers.
Gooshie is Ziggy's programmer, a short guy with bad breath.
We used to see him very briefly in profile wearing a headset in the opening title sequence
as Sam is leaping out and in the pilot and the episodes "The Leap Back,"
"Killin' Time," and "Mirror Image." He was played by the late Dennis
Wolfberg.
The shadows are holograms, too, and are generated and
projected by Ziggy as part of the process, of course. [Sally Smith]
Seriously, while Al may not cast shadows, Dean certainly does
(especially since-- as QL's director of photography Michael Watkins, ASC once put it--
"Dean likes to talk with his hands so much that he's a pretty active shadow
anyway."). It's simply physically impossible to eliminate them all. Also, there are
times when having Al not cast a shadow would actually make him look fake--like a pasted-on
cut out effect instead of a real person. [Sally Smith]
Any instances of Al's reflection appearing on objects, or
things reflecting off of Al's outfits, probably fall under the same category. [Kwong]
Well, when Al appears to be riding in the car, what's
actually happening is that he's merely placed his image within the car and set it (his
image) to track along with Sam's traveling. This same technique also allows him to track
alongside the outside of moving vehicles as well. I'd assume that he's standing the entire
time he's "riding," which also accounts for why he often seems to be facing a
different direction than one normally would while riding in a vehicle (i.e. straight
ahead). [Kwong]
What follows is a segment of an interview with Donald
Bellisario that describes why and when Ziggy moved from being a 'he' to a 'she'. The
transcript has been moved around a bit so that it makes sense in this context.
Int stands for Interviewer speaking, and Don for Donald.
Int: I think I've caught you in one error.
Don: What's that?
Int: Ziggy. Ziggy was referred to as a male, until the
"Leap Back" when Ziggy has a female voice.
Don: Yeah, Ziggy was referred to as a male through every
show. Heh, heh, heh. Yeah. But Ziggy turns out to be a she. It's not an error. We just
decided to make Ziggy a female. I mean, it wasn't like, "Oh God, we didn't think of
that!" We thought of that first thing, right off the bat, and said, "Oh, who
cares?"
If you want me to PCR [see below] that one, I'll tell you
that Sam didn't remember that Ziggy was a female until he came back, and Al, not wanting
to spoil anything for him or throw more of a load onto him that he already had, just rode
along with it. How's that?
[Another part of the same interview]
Don: ...Sometimes you get things you want to do creatively
and you don't have the reason for them. It's what I call PCR.
Int: Meaning?
Don: Post-Creative Rationalization. Heh-heh. It really is.
"Why does it happen? Why?" Uhhhhhhhh, because, because - he can only leap within
his own lifetime! [Referring to an earlier question]
And then, out of that came my string theory about how it all
works.
So it was all stuff I knew I wanted to do. When you create
something, and people ask you how it works, to justify it, you go back and figure it all
out. And you PCR.
There you go! So, Ziggy changed sex in the Leap Back simply
because Don thought it would be a good idea! You can find the above transcript in the
"Quantum Leap Book" (ISBN 1-85283-866-3). [above answer supplied by R. D.
Gregson]
There seems to be a very neat order of transition when it
comes to Ziggy's various sex changes. Before the opening of the fourth season, Ziggy was
always referred to, and assumed to be, a male. Then in the fourth season opener, we
learned Ziggy had a female voice, but was still referred to as "he" throughout
the season. In the fourth season finale, Sam tells St. John that "Al called her
Ziggy," and the reference was always female from that point on. [Finifter]
Dennis Wolfberg's character is spelled "Gooshie" in
"Genesis," and "Gushie" in "The Leap Back" (all other
appearances list Dennis in the beginning credits, rather than by character name). This was
probably due to an oversight. The official spelling is not known. [Kwong]
The official spelling of Donna's last name *may* possible be
gleaned from closed-captioning or a copy of the script. Does anyone have the relevant
episodes handy? The Chunovic book spells it "Eleese," but keep in mind that the
validity of the book's contents are suspect. [Kwong]
Hey, that's TWO questions! Sally Smith is our own "Set
Elf", otherwise known to the less fortunate of us as the "Lucky Bitch" who
resides somewhere in the Bay Area of California. Through some kind of divine providence,
she has been granted the blessing of frequent visits to the set of Quantum Leap where she
communes with the shining lights of Leapdom and imparts her learnings unto the less
fortunate of us on the net (this is where the "Lucky Bitch" comes from). This
blessing comes with a price however, in the form of air fare, gasoline and phone bills
that when combined, resemble the national debt. This price she pays gladly so that she may
share her visits and info with us both on the net and formerly in her mailing list.
Unfortunately for all of us, the frequency of her visits have been greatly reduced due to
a new studio policy that restricts visits to the sets in their domain. [!@#$%^& legal
nozzles. Sally Smith]
"Don't investigate this too closely." --Don
Bellisario, 3/17/90
There is no such creature as a Leaphead. This is a word
coined by a NBC employee referring to a Leaper, which is a Quantum Leap fan.
"Leaper" is the preferred term, used by the fans themselves and the cast and
crew of Quantum Leap when speaking about the fans. The prevailing attitude is, "if
'Leaper' is good enough for Don Bellisario and company, it's good enough for us".
[Episode title edited for net.safety] This episode first
aired near Halloween 1990, and from the first time it aired, weird events have been
associated with this episode. As an example, this episode seems to have the highest
incidence of VCR/cable/local station failure than any other episode aired. There have been
numerous reports of VCRs cutting out during the taping of this episode, local stations and
cable companies dropping their signal. Even mentioning it by name is hazardous, as one
net.Leaper can attest. This hapless individual (who knew better) was bandying about the
name of this episode. He lost his job AND his net.access. Its mention has been known to
cause power failures and auto breakdowns, so it's best to just refer to it as "The
Halloween Episode". Leapers everywhere will know of what you speak. By the way,
cameras and recording equipment also tend to act strangely around Chris Ruppenthal, the
writer of this episode. Since it aired, his nickname has been "Ruppenboogie". He
_is_ kind enough not to say the title of the episode around the fans, though director Joe
Napolitano does. Mention of all this merely causes Chris to laugh evilly.
As long as we're on the subject of Chris, Joe, and weirdness,
let's note that the episode "The Curse of Pt*h-H*tep" appears to cause
earthquakes in Southern California -- the large quakes of Apr. and June 1992 coincided
with the two showings of this episode. Pretty scary, huh, kids?
Ah yes, Irwin Allen's Time Tunnel. This was a show about a
secret government funded time travel experiment in which a young researcher sends himself
back in time in an effort to prevent the project's funding from being cut. This, the two
men travelling through time, and the efforts to retrieve them are the only things this
show has in common with Quantum Leap (which only has ONE man travelling through time, his
companion is firmly rooted in the future, but I digress). In the Time Tunnel, time
travellers Anthony Newman and Doug Phillips unfailingly arrived at historical events and
desperately tried to influence events based on their knowledge of the outcome. They always
failed. This is a show where the time travellers would find themselves at the Roman
coliseum one week, and in Napoleon's army the next, THEN tripping to the bombing of Pearl
Harbor. It is drastic time changes like this that Don Bellisario wanted to avoid when he
imposed the 'within his own lifetime' rule. He felt the huge differences in time settings
were distracting and unrealistic. :-)
Phineas Bogg with the assistance of companion Jeffrey Jones
are time travellers who find themselves trying to fix history, or to 'put things right'
when 'people become displaced in time and find themselves a half-step away from a totally
different destiny' [Harry and Wally]. In one episode, Franklin D. Roosevelt became a movie
director and it was up to Phineas and Jeffrey to set him on the right course to the
presidency of the United States. This is another show that would find its heroes
travelling to far-flung places and times, a plot device that Don Bellisario wanted to
avoid.
Yes, yes a thousand times yes. A perfect example of just how
nice, patient, hardworking and DECENT this man is is his appearance at the QL screening
for the fans in LA back on February 25, 1991. He had put in a hard day on the set working
on the episode "Last Dance Before an Execution", a very emotionally intense,
exhausting episode when he had to appear at the screening to answer questions (with the
BGU, Deborah Pratt and Dean) and to meet the fans. He was pleasant and open with the fans,
even joking with people and accepting small gifts and hugs with aplomb. Afterward, he was
mobbed by (literally!) hundreds of mostly female fans who requested his autograph and
their picture taken with him. He spoke to each person and smiled for the cameras. He is
truly a sweet, gracious person, traits which are shared by the rest of the people
associated with this production.
Any further elaborations can be filled in by FAQ # 27, the LB
herself. :)
[Why, thank you, Debbie...] Another example is the UCLA
screening of 11/25/90. Scott had been to New York City and back that weekend (appearing in
the Macy's parade), had put in a long day at work and was in a great deal of pain from an
injured ankle. But he walked out on stage and answered questions like he hadn't a care in
the world and afterwards signed autographs until co-executive producer Michael Zinberg
literally picked him up off the floor and took him away, telling him he had to go to work
the next day. Then there was the convention...well, you get the idea. [Sally Smith]
You betcha. Scott is an accomplished singer (1988 Tony
nomination for "Romance/Romance"), pianist (see "Blind Faith"),
songwriter (he wrote the lyrics to the song "Somewhere in the Night" from
"Piano Man"), dancer, and all-around athlete. Let's put it this way -- if you
think Scott's doing it (and it's not wildly dangerous) -- it's him.
Whoops, sorry! GTF means "God, Time, or Fate" --
whatever "unknown force" is leaping Sam around. BGU (coined by Warren J. Madden)
stands for "Big Guy Upstairs", and depending on context, that either means GTF
or Don Bellisario.
PQL, IC, and WR refer to "Project Quantum Leap,"
"Imaging Chamber," and "Waiting Room" respectively, but that's pretty
straightforward. The symbol **" is no longer in so much use but refers to the ascii
representation (courtesy of Deb Brown) of the ASL symbols for "Quantum Leap" as
shown in the episode "Private Dancer." [Kwong]
Some more abbreviations that are commonly used, usually
referring to specific episodes that, for one reason or another, get mentioned more
frequently than others:
This was mentioned on E!'s Behind the Scenes on QL as being
an in-joke among the QL cast and crew: whenever the word "height" is mentioned,
all those within earshot repeat it. [Kwong]
This joke shows up occasionally on QL-related posts on the
net, usually resulting in waste of bandwidth as others reply to the joke. Not that it
isn't fun, but please, if you're tempted to follow up a posted "height!" with
one of your own, consider the chain reaction you may be initiating/perpetrating. [Kwong]
37. What members of the QL staff and crew have appeared in
the show?
- Deborah Pratt as Troian Giovanni Claridge in "Portrait
for Troian"
- Don P. Bellisario as Timothy Mintz/mirror in "Portrait
for Troian"
- Paul Brown as Julian Claridge in "Portrait for
Troian"
- Don P. Bellisario as guy at the bar in "Mirror
Image"
- Jean-Pierre Dorleac as guy who says "Butcher,
baker..." in "Shock Theater"
- Rob Mendel as hippie guy in "M.I.A."
- Chris Ruppenthal as Joshua Raye/mirror in "The
B**gieman"
- Harker Wade as Dylan Powell/mirror in "Temptation
Eyes"
- James Whitmore, Jr as Clayton Fuller/mirror in "Trilogy
Part I" and as police captain in "Mirror Image" and as Bob Crockett in
"8 1/2 Months"
[Ailsa Jenkins]
Yes, that was indeed Bruce McGill who played both parts. It
is interesting that his part in "Genesis" was not alluded to in "Mirror
Image" as were many of the other recurring characters. Bruce McGill also appeared in
several episodes of another Belliario production, "Tales of the Gold Monkey".
[Bellucci]
Other guest stars have also played recurring characters or
multiple roles. [Kwong]
The first annual Quantum Leap convention was held in (??)
over Leap weekend, February 1992, along with Dean Stockwell's star ceremony (Hollywood
Walk of Fame). The Con has been held at around the same time each year since then. Dean
and Scott have shown up (officially and unofficially) so far each time. [Kwong]
There are other QL-related cons held at other locations, but
I don't have any details. [Kwong]
That's two questions again, but they're good ones. :-)
For "Quantum Leap: The Movie", write to:
Mr. Sid Sheinberg
100 Universal City Plaza
Universal City, CA 91608
Don Bellisario is working at Paramount Pictures now. His
address there is:
Donald P. Bellisario
Paramount Pictures
5555 Melrose Ave.
Los Angeles, CA 90038
As for Scott, his address is:
Scott Bakula
c/o Jay D. Schwartz
Sutton, Saltxman, and Schwartz
8967 Sunset Blvd.
Los Angeles, CA 90069
QL ran from March 26, 1989 to May 5, 1993, on NBC...for five
seasons and a total of 95 episodes. [Kwong] |
