From: "M. Cogburn" Date: Fri, 4 Dec 1998 22:26:07 -0600 Subject: Portraits Of The Past, Part 5 Chapter Five Two and a half hours later, Al ambled back down the corridor to Ziggy's Central Control Room smoking his cigar. He was relaxed and in a very good humor. Tina had just the cure he hoped for and the grin on his face showed it. He had changed into black baggy pants and a bright pink long sleeved shirt. He had a star talisman around his neck and he grinned as he entered the room. Donna shook her head and grinned as he approached the large control grid that looked like a larger version of the handlink. "Feeling better?" "Much." Al picked up the handlink from the power grid and looked down the corridor that went to the Waiting Room. "How's the kid?" "Relaxed. He's been talking with Sammy Jo. He's pretty bright. I don't think that she has even left his side for a minute." Donna crossed over to Ziggy's motherboard and looked at the retrieval pad only to run her hand over it. She missed her husband and wanted him back home in her arms where he belonged. Al's eyebrows rose interestedly. Sammy Jo was a very intelligent person considering that Sam was her father. "That in itself is amazing." He turned and headed toward the Imaging Chamber knowing that Gooshie would get the Imaging Chamber on line the moment he stepped inside the room. "Dr. Alisi?" The computer questioned. "Yes, Ziggy." "Why do men find so much pleasure in having inter . . ." "Ziggy?" Donna replied quickly. "Yes?" She drawled. "Why don't you talk to Admiral Calavicci about that? He can probably explain it to you much better than I can." Donna didn't want to get into a sexual conversation with Ziggy. She'd just ask questions that she couldn't and wouldn't want to give the answers to. Al reached the ramp that went to the Imaging Chamber Door and turned to glare at Donna. "That was harsh and uncalled for. You'll pay for that." He pointed a long finger at her then used the same finger to push the button to open the Imaging Chamber Door. It slid open before him only to close behind him locking himself into the Imaging Chamber. He shook his head wondering how he could get out of the conversation gracefully without Ziggy hounding him. It took a moment for Ziggy to place a lock on Sam. As soon as they locked on, Al popped in time to see Sam about to ring a doorbell. Al cleared his throat trying not to scare his friend but did not succeed. Sam jumped. His head dropped then turned to see Al. "Can't you fade in or something?" He scorned quietly as he tried to put his heart back in his chest. "Could you wear a bell so I can hear you coming?" "Sorry, next time I'll knock." He couldn't understand why Sam was so edgy. No one was trying to kill him as in other leaps. He looked at his surroundings. It was a quaint little house. It reminded Al of something out of Better Homes and Gardens. There was a white picket fence around the property and flowers growing along the walkway to the door. "Is this Margaret's house?" Sam nodded. He looked at the ground then back to Al. "Al . . ." "Don't worry about it. We both had to blow off some steam." Al noticed that it was beginning to get dark out. Changing the subject, he asked, "Have you all ready gone to the meeting?" "I did. Margaret didn't show; probably my fault." Sam turned back to the door to ring the doorbell. He stood there patiently for a few moments then rang the doorbell again just in case she hadn't heard it because he could hear music from inside. He heard a voice calling from inside so he waited for her to open the door. The door opened to reveal Margaret dripping wet with a large towel wrapped around her body. She grinned at first but her face fell when she saw who it was. "What do you want, Jason?" Sam looked into her eyes trying not to look at her body knowing that it would embarrass her further. Al, however, openly gawked, and grinned as he leaned forward for a better look. "You weren't at the meeting. Naturally, I was worried about you. Mrs. Jacobs asked me to come by and check on you. She was worried that you weren't feeling well." Feeling self-conscious about standing in the doorway, he asked, "Could I come in?" She thought about it for a long moment. Would he be the gentleman that she had met at the therapy sessions, or would he be the irritating teenager that had decided to take a dare? She was taught to look for the good in people. Trusting her raising, she gave in. She held the towel closer as she opened the door wider to let him in. "I . . . I wasn't expecting company." She shut the door after he came in and watched in awe as Al stepped through the door. She let out a nervous moan then looked back at Jason. "Have a seat and I'll be right back." She started down the hall and Al began to go with her. "Al." Sam replied loudly. "What?" Margaret turned to face him. "A'll sit down right here." Sam pointed to the couch, catching his mistake of calling out to his holographic friend. "Okay." She looked at him in a weird way then started back down the hall. Al watched with a frown as she left their presence. "You know, Sam, you're a prude." Sam rolled his eyes at the comment. Before he sat down, he looked around the room. The living room held the normal furniture: a couch, a love seat, a television, a stereo, and two bookcases filled with books. The music that filled the room was that of 50's and 60's music. Music that he had grown up on. He swayed to the melody as he looked at the pictures that scattered over the walls. There were photographs of her family in a circle beside the door, a memorial of her loved ones. In the middle of the circle were two pictures, one was of a baby and one was of her Aunt Maggie. He closed his eyes, shook his head sadly then maneuvered back to the couch to sit down. Another song came on the radio and Sam found himself singing: I took my troubles down to Madam Rue, you know the gypsy with gold tattoo, She's got a little pad down on 34th and Vine, selling little bottles of Love Potion Number Nine. I told her that I was a flop with chics, I've been this way since 1956, She looked at her palm and made a magic sign and said what you need is Love Potion Number Nine. She bent down, turned around, and gave me a wink. She said, I'm gonna mix it up right here in the sink. It smelled like turpentine and looked like Indian Ink. I held my nose, I closed my eyes - I took a drink. I didn't know if it was day or night, I started kissing' everything in sight But when I kissed that cop on 34th and Vine, he broke my little bottle of Love Potion Number Nine. "Maybe that's what was wrong with you this morning." Al remarked with a grin. "What?" "Love Potion Number Nine." Sam grinned with a humph. "Did Ziggy come up with anything else?" He asked as he kept looking at the pictures on the other walls. The other pictures, four in all, were portraits done by Margaret as he could make out her signature at the bottom. One was of a horse, one of three kittens curled together in sleep, another was a vase of elegant flowers, and the last was a woman looking out across the sea. Sam stood and walked over to the picture of the woman. "No. Ziggy is having some kind of difficulty in retrieving the data." Al hammered on the handlink only to have it squawk at him. The next song that came on the radio was When Smoke Gets In Your Eyes. Sam mouthed the words to the song as he gazed at the portrait of the woman thinking that he knew her from somewhere. She was in a white naval uniform. She was a nurse as far as he could tell. She had short brown hair and brown sad eyes. He racked his memory but he couldn't remember if he knew her or not. "Al, come look at this portrait. Does she look familiar to you?" Al meandered over and looked at the painting. He cocked his head and nodded. "That's really good, but her nose had a little lift at the end." Al turned away only to turn back in awe. His mouth fell open and his hand came to his mouth. "Oh my God." He whispered breathlessly. "What?" "That's . . ." Al started as he pointed a finger at the woman on the canvas before him. "Oh, so you've been admiring Beth." Sam and Al turned to Margaret in awe. "Beth?" Sam questioned. He looked back at the portrait and remembered. Her married name was Beth Calavicci. His mouth dropped open as he remembered the leap where he was able to meet Al's first wife. Sam looked at Al then back to Margaret to ask, "Is she a friend of yours?" "No." Now dressed in a T-shirt and shorts, Margaret went to the radio and turned it down then went to Sam and stood beside him to glance up at the portrait. "It's an image I saw in my head." Al's face dropped. He looked at the portrait then back to Margaret. He couldn't understand it. How could she paint such a vivid picture of a person she had never known or met?, he wondered. "It's odd. I was in Chemistry when this picture came into my mind. I pulled out a sheet of notebook paper and sketched it." She shrugged her shoulders nonchalantly indicating that it was nothing. She had what she called visions that came and went at whim, and since they had started, she had copied them down to paper. Her artistic hand and her photographic memory had helped her to capture the people she had seen. "It was just a vision, a sketch more or less. No big deal." "It is a big deal. It's good. Do you have more sketches?" Sam asked curiously as he glanced at Al who was making a rather large arc around Margaret. "Yeah, a notebook full. Why?" "May I see them?" "I . . . I don't know." Margaret became instantly nervous. Her sketches were precious to her and she didn't want anyone to laugh at them or her. She'd rather die first. "Please?" Sam's eyes pleaded and he frowned just a little. "Okay." Margaret shyly smiled as she easily gave in. "Let me go get them." She walked back down the hall to the bedroom and grabbed the notebook. She clutched it to her chest and started back toward the living room but stopped when she heard them talking. Frowning, she listened. Was he able to see her hallucination also? "How did she know about Beth?" Al looked back up at the woman lovingly. Beth had been his first wife. They were married for eight years, but spent less than two of those years together because their assignments conflicted. She had nearly divorced him when Al signed up for a second tour of Vietnam. After he had been missing in action for two years, Beth had the Navy declare Al dead and she remarried. Al remembered the conversation he had with Sam when Sam had leaped into Jake Rawlings, an undercover detective for the San Diego Police Department in April 1969. Sam had just come out of Beth's house and saw Al standing across the street as he hurried out. Al saw him coming out and decided that it was a good time to escape from this memory. He pressed the appropriate button to open the Imaging Chamber Door but Sam had called to him from across the street. "Al, don't go!" Sam raced towards him saying, "Al, if you close that door, don't ever open it again." Al sneered thinking of closing the door, but it only took him a second to realize he couldn't leave. He stepped back toward Sam and the Imaging Chamber Door slid shut behind him. "You know the rules Al. We can't change our own life's." Al fiddled with the handlink in his hands. "What are you talking about?" He was looking down at the handlink asking Ziggy questions about Beth. "Why didn't you tell me?" Sam asked wondering why his friend had not trusted him enough to tell him the truth with what was going on with this leap. "What?" AL closed his eyes and slightly shrugged. "Al," Sam turned away from him to look at the house he had just come from and took a few steps toward it. "As much as I'd like it to be, I don't think that I'm here to keep you and Beth together." "Oh, yes you are Sam, yeah." Al's eyes began to glisten as tears filled his eyes and he glanced down at the handlink acting as if he was getting data from Ziggy. "Ziggy says the odds are . . ." He waved his hands in the air for emphasis. ". . . they're real good." Sam turned back around and looked at his friend holding back the emotions that he wanted to let out. He wanted to help, but he just didn't believe that was the reason that he was here. "Real good?" "Yeah." Al looked back at the handlink. "How good?" He took a few steps back toward Al. Al scratched his ear as he looked at the handlink in his hand. "Oh, yea, you know, they're way up there." Al waved his hands again to emphasize how high they were. "Show me." Al realized he couldn't play this game anymore. It hurt him too much. "Ah, Sam . . . God . . . I love her. Beth is the only one I've ever loved. She is the only one that I ever wanted to grow old with. That's why all my marriages never worked after that." Al's shoulders dropped at what he was telling Sam. "Sam, if you're lucky, life is gonna give you one " Al raised his finger to Sam's face. "shot at true love and," Al pointed toward the house. "Beth was mine. I lost it and you can get it back for me." "God, Al, I wish I could. But I can't and no one knows that better than you." "No, I don't know it!" Al closed his eyes defiantly not wanting to listen to him. "In your heart you do." Sam reasoned. "No, no." Al shook his head. He looked at the handlink in his hands then glanced back up at Sam. "You leaped here to get Beth and me back together." "What if it was something more important?" "More important?" Sam had nodded. And Sam was right. He was there to save Jake's partner, Robert Skabbs from being murdered by drug dealers. He arrived just in time to stop them and save his partner. Al had spent the rest of the leap looking at his wife as she listened to Ray Charles singing Georgia. He was able to "dance" one last dance with Beth as she shadow-danced to the song. Tears welled up in Al's eyes as he looked back at the portrait on the wall. "How?" "Maybe it's a coincidence, Al." "Al." Margaret replied under her breath, but she quickly quieted to try to hear more. "I'm getting an eerie feeling about this. Really eerie." He looked away from the portrait as he ran his hand over his face. He then looked at the handlink ready to pull up the door. "Sam, I'm gonna go and . . ." "No. I want you to look at these sketches. Maybe they'll give a reason to how she knows about Beth." Sam reasoned. Al nodded reluctantly. "Okay." "Here we are." She stated acting as if she hadn't been listening. They both moved to the couch with Al following behind. "The first ones aren't really good." She reluctantly handed the notebook over to him as they sat down. "I'll be the judge of that." Sam smiled as he opened the notebook. As she had told, the first sketches were amateurish but improved dramatically. In the middle of the sketches, Sam began to have the feeling that the faces drawn on the pages were familiar to him. "It's weird, I feel as if I know these people." Page after page Al's frown deepened. He continued to push the handlink buttons, asking questions and getting information from Ziggy. "You do." Sam looked up at Al quickly then back to the sketches. His brow creased wonderingly as he came to the sketch of Beth. "Sam, these sketches are of people that you have either leaped into, or they are people who's lives you've affected." Al responded to the unasked question that he knew Sam would have asked if she weren't present. Sam's mouth opened as he took a deep breath. "These are really good." He said as he handed back the notebook. He frowned wondering exactly how she was able to get these visions. Perhaps, she's close to my mesons and neurons -then possibly she could see those people - maybe. Margaret relaxed. He hadn't laughed -- he was actually complementing her on them. She glanced toward the older man out of the corner of her eye wondering why he kept calling Jason, Sam. She thought about what he had just said, 'These sketches are of people that you've either leapt into, or they are people who's lives you've affected.' What had he meant by that? She grinned shyly to his compliment. "Thank you." She clasped the notebook to her chest as if she was trying to protect it. "Well, as you can tell, I'm fine. I just didn't want to go tonight to the meeting. So, is there any other reason why you're here?" Sam told her what Mrs. Stacey told him after school. "So, we could get started memorizing the parts." She nodded suspiciously as one eyebrow arched up. "Hmmm." She replied debating on the issue of believing him or not. She was leery of him now, not knowing if this was another dare that she would fall victim to. "Honest Injun." Sam responded as he raised his hand up in the air knowing that she didn't trust his motives. She grinned a response, then set her notebook on the coffee table. "Would you like something to drink?" She questioned standing as she moved toward the kitchen. "Sure, anything." Sam said as he shrugged. "Scotch and water." Al responded as he placed his hand on his forehead. He needed something to calm his nerves. This thing with Beth had upset him tremendously. "Can I use your bathroom?" Sam questioned as he looked at Al with scorn. "Sure." She pointed down the hall. "Second door on your left." She then turned to open the refrigerator door to pull out two cans of cokes. "It's always the bathroom. We never meet in a decent place." Al said disgustedly as he followed Sam. "You know, if people could see me, they'd think something was up." Margaret stifled a giggle and began to think about what she had heard since they arrived. So, her hallucination had a name, Al, that at least confirmed her beliefs in two areas. He wasn't a hallucination. People don't share hallucinations -- she reasoned to herself. So, I'm not crazy. She nodded to herself as if confirming the diagnoses. I'm not crazy. Margaret set the cokes down on the countertop and went to her bedroom. She looked up at the portrait she had painted three years ago. It was one that she had been particularly proud of. Not only had her aunt taken the picture, she had died trying to win the Pulitzer Prize. She had succeeded. Margaret was under a magic spell when a naval officer dressed in whites delivered a package to the house when she was just five years old. She remembered the day as if it was yesterday. She had been sitting on the floor drawing a picture for her father when the officer arrived. She heard the rap on the door and ran to it. She opened the door and her mouth fell open. "Is this the Dawson residence?" "Yes, can I help you?" Awe filled her eyes as she looked up into the face of the handsome man in white. "Is your mother or father in?" Margaret's father showed up behind her and the young man held out a package to her father over her head. "I'm sorry sir, that these haven't been given to you before today, but I found these in my footlocker after I came home. They are the last pictures that Maggie Dawson took while she was in Vietnam." "Aunt Maggie?" She had asked wonderingly. "Would you like to come in, Lieutenant . . . " Her father had said as he took the package. "Beckett, sir. Thomas Beckett." Thomas turned his white hat in his hands nervously as he stood outside the door. "Would you like to come in Lieutenant Beckett?" "No, sir. Thank you though. Have to be getting back. I'm very sorry sir. She was a fine journalist and photographer. My apology's sir." Thomas Beckett held out his hand to her father. He shook hands and turned to leave. Margaret watched as her father went back into the house with tears brimming his eyes and clutching the package to his chest. She then turned back to watch the Lieutenant walk away. She quickly ran out to him and tugged at the back of his white jacket. Lieutenant Beckett turned and gazed down at her with a grin. "Yes?" "You knew my Aunt Maggie?" He bent down to get on her level. "Yes, I did." Without warning, she flung arms around his neck almost making them tumble over. She gave him a long hug and a soft kiss on his cheek. "Thank you." She released her hold on him and stood back her hands behind her back. "Why the thank you?" He asked amused. "You gave my daddy the one thing that he really needed." Margaret looked into his blue eyes and smiled sweetly at him. Seeing the confused look on his face, she added, "You gave my daddy a way to say goodbye. Thank you." Amazed by the intelligence of the little girl before him, he smiled warmly at her. "Your welcome." He stood and placed his hat back on. He looked back at the house seeing her father standing back at the door. He nodded curtly to Mr. Dawson then looked back down at Margaret. He could see her aunt in the little girls face. He saluted her then abruptly turned. Margaret watched in awe as he walked back to his car and left. Ever since then, Margaret decided that she would paint Aunt Maggie's last picture if it took her the rest of her life. It was the picture which had won the Pulitzer Prize -- three POW's being hustled down a road by three Vietnamese men. One man had looked back to see the photographer as she took the picture. Margaret had researched for three years to find out who the man was and finally she had gotten his name and engraved it on the plaque that was now on the bottom of the portrait. Margaret smiled. She had visited different Naval Bases during her summer vacations to find out who that young man was her aunt had photographed. It had been her third summer searching when she traveled to Pensacola thinking that if she didn't find out who he was this year, she'd probably have to give up. She stood outside the Officers Club and sighed. She had to find out the name of that man. She just couldn't put MIA on the bottom. She had to find it for Aunt Maggie's sake. She squared her shoulders and swallowed hard then opened the door. The bar was loud, smoky, and smelled of stale beer. She softly cleared her throat as she glanced around the room. Men dressed in flight-suits, casuals, and in naval uniforms were talking, laughing and generally making a lot of noise. An old jukebox stood in the center of the room lit up, but not playing. She sighed once more as she went toward the bar. Her movement in the room make some conversations pause as they turned their heads to focus their gaze on her. She had decided to wear a mini-skirt with a low cut blouse that morning and she hadn't thought about men's attitudes when she'd put it on. She pulled back a stool and sat waiting until the barkeep came to her as he was drying a glass. He smiled crookedly and glanced at the men down at the other end of the bar. "Can I help you, little lady?" Margaret being so set to find out the young man's name, blurted, " I'm here to meet somebody." The barkeep laughed long and loudly getting everyone's attention in the bar. Margaret grimaced. "No, you don't understand." She reached down into her purse and pulled out the copy of the picture her aunt had took. "I'm looking for someone who might know this man. He was in Vietnam." Margaret's voice seemed to echo in the room. She had everyone's attention whether she wanted it or not. She closed her eyes embarrassed and shook her head softly. "Excuse me. I'm . . . I'm very sorry to intrude, but I'm looking for someone who knew this man. He maybe dead by now, I . . . I don't know. My aunt, Maggie Dawson," She noticed as she said her aunt's name that a few of the older men in the bar turned to look at each other, "took this picture in Vietnam in 1970. He was being led down a path by some of the Vietnamese." She waved her picture in the air. Her hand dropped to her side flustered. She closed her eyes and bowed her head. "I'm sorry to intrude. Excuse me." Margaret headed back toward the door. "Wait." A tenor older voice called to her. Margaret turned her head and slowly turned around. "Can my friends and I take a look at that picture?" Margaret looked at him through the haze of the room and shrugged. She was embarrassed for being the center of attention in the bar. She drew in a deep breath and walked to the table where he was standing. He pulled out a chair for her and she graciously took a seat. She glanced around at the men at the table. They were all over the age of fifty by their looks, and all of them were quite handsome. The picture was passed around the table and then was given back to her. She placed the picture back into her purse and looked at he group of men before her. They all seemed to look at her in at different light. "Well?" "Little lady, that is one hell of a picture." Margaret looked at the man who had called to her. "Sir?" "Let me introduce us. I'm Admiral Maxwell Hillyard," the Admiral then went around the table to introduce the other two men with him. "Admiral Daniel McCannak, Admiral Michael Danielson. And you are?" "Margaret, sir. Margaret Dawson." She looked back at the three of them then back to Admiral Hillyard. "Admiral, Hillyard, do . . ." "Call me Striker, call McCannak; Max and call Danielson; RumDum." He interrupted. "Sir?" She questioned. Striker pointed to each person once more with his finger. "Striker, Max, RumDum. Those were our flying handles and we still go by them. Makes us feel like we aren't as old as we are." The three of them smiled. Margaret didn't want to be rude, but she had to find out. "Do you know the man in the photo?" "That's Bingo." RumDum replied as he elbowed Max beside him. "Albert Calavicci, oh, excuse me, Admiral Albert Calavicci. The boy who said anyone above the rank of a lieutenant was a horses ass. Oh, uh, excuse me." Margaret smiled. "Albert Calavicci." She pulled out the picture once more along with a pen. "Is that his full name?" "His full name is Albert Ernesto Giovanni Baptista Calavicci. It's name that sticks with you." Striker said with a grin. "He's an Admiral now, but in that picture, he was just a lieutenant, a naval fighter pilot and his A-4 went down over the highlands." Margaret wrote down the information on the photograph as a single solitary tear ran down her cheek. She had finally found out who it was. "When was he repatriated?" She quickly wiped her cheek. "1973. Bingo's a strong man." Max said then took a gulp of his beer. "Bingo?" Margaret asked wonderingly. She noticed that they'd used that name twice. "Yeah Bingo. There's a story that goes behind that name." Striker said with a grin. "Really?" Margaret asked interestedly leaning forward. "Well," Striker began. "Stack and Al were out across country to Pensacola from Ole Cal, when Al sprung an oil leak about thirty minutes out. Well, he did a couple of spins and he lands wheels up in a pasture banging his head on the gunner. When he came to, he sees three sets of casabas," he looked at Margaret embarrassed. "Oh, excuse me. And he thinks he has a concussion. But it's triplets. Well, they found him the next morning laying under the wing. When asked how he spent the night, Al said, "Bingo Bango Bongo." Margaret shook her head clearing the memory away. She read the plaque on the portrait: Lieutenant Alberto Ernesto Giovanni-Baptista Calavicci, a naval pilot for the United States Navy. She leaned in at the picture and stared at the young mans face. Coincidental? His features matched the older mans, and his name matched too - Albert -- Al. She closed her eyes tightly. Was this the same man who was in her bathroom with Jason? She looked up at the ceiling as if looking up toward heaven. 'I have to find out or I'll go crazy. Please, help me find the words to ask.'