"Catch
A Falling Star"
Leap
Date:
May
21, 1979
Episode
adopted by: Gelfling1220
Additional info provided by: Brian Greene
Synopsis:
As
an understudy for the lead role in "Man of LaMancha", Sam must prevent
the star of the show from falling off a balcony onstage and ruining his
career.
He
also encounters his old piano teacher from his boyhood and has the
chance to have
the romance he always wanted years ago.

Audio from this episode
TV Guide Synopsis
Place
Leap Date
Name of
the Person Leaped Into
Songs
Project
Trivia
Sam Trivia
Al Trivia
Al's
Outfits Worn in the Episode
Miscellaneous
Trivia
Crew
Writers
Director
Producers
Broadcast
Date
Guest Stars
Guest Cast Notes
Guests
Who Appeared In Other Episodes of Quantum Leap
Personal Review
Best Scenes
Say
what?
Quotable Quotes
Production # 65413
TV Guide Synopsis:
As the understudy for a bawdy
stage veteran, Sam reencounters a woman he loved when she was too old
for him in his real life, but who's now the stage partner and friend of
the actor he's leaped into. Michelle: Janine Turner. Sam: Scott Bakula.
Place:
Syracuse,
New York
Leap
Date:
May 21, 1979
Name
of the Person
Leaped Into:
Ray Hutton
Broadcast
Date:
December 6th, 1989 (Wednesday)
Songs/Music:
I Don Quixote
Man of La Mancha
The Impossible Dream
Dulcinea
Beethoven’s Fifth Symphony
What Does He Want of Me
Project Trivia:
Sam and Al listened to "Man of La Mancha" while building
Project Quantum Leap. It was the only disc Sam ever played while
building the Imaging
Chamber. In the Waiting Room, Ray Hutton is humming various showtunes including one from "Oklahoma."
Sam
Trivia:
Sam took piano lessons at the age of 15, where he had his first case of
"puppy love" for Nicole, the piano teacher.
First time Sam’s appreciation for tea,
specifically Orange Spice, is mentioned.
Al Trivia:
Al used the theater as an
outlet when he was at the orphanage. "Other kids, they went into boxing
or they studied or they stole. I thought I’d give the theater a try."
Al's
Outfits Worn
in the Episode:
White Suit, blue
shirt, and multi-color tie
Wild print shirt with silver highlights, orange
pants, black suspenders, black fedora, black bolo tie
Lavender shirt, black vest with purple
swirls/paisley print, pink tie with purple markings, pale pink pants
Miscellaneous
Trivia:
Another play considered for this episode was "My Fair Lady", but was
rejected in favor of the Sam and Al/ Don Quixote and Sancho metaphor
and the message of the Impossible Dream.
On the official soundtrack album,
a medley from this episode was re-recorded.
During
the rolling credits, a
staged curtain call for the episode was done featuring the cast and
crew. Notably, Don Bellisario and Deborah Pratt both appear here. Eight
images of this are featured near the bottom of this page in the photo
lineup.
Regular Cast:
Scott
Bakula
Dean Stockwell
Guest
Stars:
John Cullum (John O’Malley)
Michele Pawk (Nicole)
Janine Turner (Michelle)
Ernie Sabella (Manny)
Paul Sand (Charlie)
Myra Turley (Dolores)
Maria Lauren (Anita)
Michael Carl (Ray Hutton's mirror image)
Actors
in the Play:
Marshall Borden (Dr. Carrasco)
Rand Hopkins (Pedro)
John Huffman (Innkeeper)
Ruth Miller
(Housekeeper)
Michael DeMarlo (Muleteer)
Jay Horton (Muleteer)
Dafidd McCracken (Muleteer)
Sam Rapp (Muleteer)
Guest
Cast Notes:
John Cullum was the alternate Don Quixote in the original Broadway
show, "Man of LaMancha."
Ernie Sabella, most well known for playing
Pumbaa the warthog in the
Lion King, reprised his role as Sancho in the 2002 revival of Man
of La Mancha on Broadway.
Guests
Who Appeared In Other Episodes of Quantum Leap:
Maria
Lauren appeared in "Leaping
In Without A Net" as Carmenina.
John
Cullum directed the episode "All
Americans."
Crew:
Writers:
Paul Brown
Director:
Donald P
Bellisario
Producers:
Supervising Producers:
Deborah Pratt
Paul M. Belous
Robert Wolterstorff
Co-producers:
Paul Brown
Jeff Gourson
Chris Ruppenthal
Producer:
Marker Wade Director of Photography: Michael Watkins Production Designer: Cameron Birnie Edited By: Gary Griffen Unit Production Manager: Ron Grow First Assistant Director: Paul Sirmons Second Assistant Director: Rob Mendel Casting Director: Ellen Lubin Sanitsky Art Director: Peg McClellan Set Decorator: Robert L. Zilliox Costume designer: Jean-Pierre Dorleac Supervising Sound Editor: Paul Clay
Sound Mixer: Mark Hopkins McNabb Stunt Coordinator: Diamond Farnsworth Gaffer: Mark Abbott Assistant Camera: Peter Gulla Camera Operator: Ed Nielsen Costume Supervisor: David Rawley Costume Supervisor: Donna Roberts-Orme Oboe Soloist: Tom Boyd Music Editor: Tom Gleason Transportation Co-Captain: Dennis Junt Script Supervisor: Winnie Rich Writer: 'Man of La Mancha' dialogue: Dale Wasserman Music by: Velton Ray Bunch Jerry Grant Theme by: Mike Post
Synopsis:
Sam leaps into Ray Hutton, touring actor and
understudy to the Syracuse rendition of "Man of La Mancha". His job, it
seems, is to keep the leading man, John O’Malley from ruining his
career by falling offstage in a drunken stupor.
Sam, however, has a
different idea when he learns that the new girl hired to understudy the
role of Dulcinea is his former piano teacher and childhood crush,
Nicole. For Sam, it is a chance to have the romance he never could
have.
Noticing that Sam/Ray has turned his romantic
attentions to the
new girl, the jealous leading lady Michelle concocts a scheme that
makes it seem as though Nicole has been having a fling with
John.
Heartbroken, Sam is caught in a dilemma: can he
bring himself to save
the man who ruined his relationship? And can he forgive
Nicole?
Come
show time on the crucial night, John, as predicted, falls off stage…
but is caught by a begrudging Sam. John turns over the role to Sam/Ray
for the first time and Sam goes out to perform with Nicole, making his
peace.
The play ends and the spirit of Don Quixote
fills Sam as he
leaps out.
Personal
Review:
This is one of the "Classic" episodes of the
series. The Music! The Acting! "The roar of the greasepaint, the smell
of the crowd!" Among other wonderful things highlighted in this episode
is the bond between Sam and Al, particularly in the context of Don
Quixote and Sancho – the wandering knight and his best friend,
companion and advisor. The story with Nicole shows that even though Sam
will always do the right thing no matter how it hurts him, he is also a
true human being in being capable of having flaws such as jealousy.
Ultimately, it’s hard not to be moved by the music or the message of
the impossible dream!
Say
what?
At the beginning of the episode, Sam and Nicole see each other from the
wings opposite each other. After the Quantum Leap theme song, ithe
episode opens at the end of the play on Sam and Nicole running to each
other backstage. Did they stay apart for the entire performance and
intermission?
If John wasn’t in on Michelle’s plan to ruin
Sam/Ray and Nicole’s
relationship, why didn’t he tell Sam that the woman in the shower
wasn’t Nicole?
Minor
technical nit-pick: John never uses the
Don Quixote wig, nor is Sam wearing one when he goes onstage for the
performance at the end… so why does he suddenly appear to have one on
when they cut to him singing? Answer
to this nit-pick question by Joshua
Chaikin: The explanation for the "appearance" if the wig is simple - it
was in the trunk that was brought down the stairs by Sancho/Manny.
During the show, while making the transformation to Don Quioxte the
actor dons make-up, wig and additional costume pieces taken from the
trunk.
In the final scene, there is a shot of the
stage with Dulcinea dancing. It's supposed to be Nicole, but instead
it's clearly Michelle, as Nicole appears in the wings. This clip was
made for the beginning of the episode and was inserted here instead.
Quotable Quotes
You're
out of control Sam.
In case you haven't noticed, it's been a long time since I've been in
control.
-- Al and Sam, "Catch a Falling Star"
Chicks and dogs and pigs better scurry ...
Ducks!
Ducks?
It's ducks and geese, not pigs and dogs.
Ducks!?
Yeah.
Are you sure it's not pigs and dogs? They scurry too.
-- Al and Sam, "Catch a Falling Star"
What matter wounds to the body of the knight-errant? For each time he
falls, he shall rise again--and woe to the wicked!
--Sam Beckett as Don Quixote, "Catch a Falling Star"
You can’t tell
anyone who you really are; you can’t change your personal history, you
can’t-
I can't have a life.
All I do is live someone else's life; right their wrongs,
fight their fights. Geez, I feel like I'm Don Quixote.
-- Sam, "Catch a Falling Star"
The roar of the grease paint, the smell of the crowd.
I think that's the other way around.
You never did Summer Stock.
-- Al and Sam, "Catch a Falling Star"
What matter wounds to the body of a knight errant for each time he
falls he shall rise again and WOE to the wicked.
-- Sam as Don Quixote, "Catch a Falling Star"
We're not launching any rockets- it's just a
musical!
-- Dolores, "Catch a Falling Star"
I'm not saving that arrogant ass!
-- Sam, "Catch a Falling Star"
I'd love to be standing in your makeup.
-- Al, "Catch a Falling Star"
You know how the road is, you tend to leap around a lot.
-- Sam, "Catch a Falling Star"
That was our song, when we started Quantum Leap ... we're building the
imaging chamber, that's the only disk you ever played, Man of La Mancha.
Even if I remember the lyrics, can I sing?
-- Al and Sam, "Catch a Falling Star"
What do you want of me?
Nothing.
Liar.
(I'm with her.)
-- Nicole and Sam, rehearsing a scene, and Al, "Catch a Falling Star"
I may look like him, but she was with me, my heart, my soul.
-- Sam, “Catch a Falling Star”
Break a leg ...
-- Sam to the star, "Catch a Falling Star"
Women! They just don't understand the old double-standard!!
-- Al, "Catch a Falling Star"
I've seen that look before! You're wearing that `the earth
moved last night' look.
-- Al to Sam, "Catch a Falling Star"
Al?
Here, your Grace.
My armor. My sword.
More misadventures?
ADVENTURES, old friend.
-- Sam and Al, "Catch a Falling Star"
It's not up to you to stay here, it's up to HIM!
-- Al, “Catch a Falling Star”
But HE loved *pure* and *chaste* from *afar*.... Well, that
part was never big with me, either.
-- Al, "Catch a Falling Star"
Best
Scenes:
Sam’s rehearsal with Nicole, stumbling through the script and
professing his love for Nicole through Don Quixote’s words
Al’s being there while Sam plays on the piano
sulking over Nicole’s "rehearsal"
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